With that disclaimer, the other songs available on YT are included here. From all other indications one would conclude that she is Sitara Kanapuri. Two of these five вЂ“ Nagri meri kab tak yun hi barbaad rahegi and Pardesi kyun yaad aata hai вЂ“ are also found in Memorable Songs of 1944. HFGK has has five songs of Man Ki Jeet credited to Sitara, but it is not clear if she is Sitara Devi, the dancer or Sitara Kanpuri, the playback singer. Since this ias a dance number, one would conclude that singer is Sitara Devi.Д¬hupake Chupake Mere Dil Mein Aaye Hai Murari вЂ“ Chand вЂ“ Qamar Jalalabadi вЂ“ Husnlal Bhagatram Memorable Songs of 1944 has one solo song of Sitara вЂ“ Mere dilruba aa ja mere dilruba (Chand). So Ja Meri Ladli So Jaa вЂ“ Chal Chal Re Naujwan вЂ“ Pradeep вЂ“ Ghulam Haider Ho Gori Pyar Bhara Dil, Preet Ke Naina, Koi ChhupayeвЂ¦.Apne Balam Se Apne Sajan Se Mil Ke Aayi Ho вЂ“ Chal Chal Re Naujwan вЂ“ Pradeep вЂ“ Ghulam Haider Laaye вЂ¦ Balamva Mere Liye PhooloN Ke Haar вЂ“ Chal Chal Re Naujwan вЂ“ Pradeep вЂ“ Ghulam Haider Memorable Songs of 1944 has two Shamashad Begum solos Main Jogan Ban JaungiвЂ¦.Mere Devta Lo Meri Aarti (Chal Chal Re Nujawan) and Jao Sajan Mere Harjai, Balam mohe sajan more chhedo na (Daasi, Music: Pandit Amarnath). Begum became a national rage between the 1940s and the late 1950s, having a voice different from her peers like Lata Mangeshkar, Asha Bhonsle, Geeta Dutt and Amirbai Karnataki.For the year 1944, Shamshad BegumвЂ™s quantitative presence apparaently seems limited to two films, if we do not consider the songs from Panna, which HFGK notes Rajkumari clarifying that the songs were rendered by Shamshad Begum in the film but were recorded in her voice. Nayyar describes her voice as that of a 'temple bell' for its clarity of tone.

She is credited with singing one of the first Westernised songs, Meri jaanвЂ¦Sunday ke Sunday by C. When he moved to Bombay in 1944, Shamshad went with him as a member of his team, leaving behind her family and staying with her Chacha (paternal uncle). Lahore-based composer Ghulam Haider used her voice skillfully in some of his earlier films like Khazanchi (1941) and Khandaan (1942).

Her crystal-clear voice caught the attention of sarangi maestro Ustad Hussain Bakshwale Saheb, who took her as his disciple. Shamshad also recorded naats and devotional music for a couple of gramophone recording companies. The then AIR Lahore helped her entering the world of movies as they frequently broadcast her songs, which induced music directors to use her voice for their films. Even today, her songs from the 1950s, 1960s and early 1970s are popular and continue to be remixed by music directors.Д«egum sang for the All India Radio (AIR) through her musical group 'The Crown Imperial Theatrical Company of Performing Arts', set up in Delhi. Until the end of the 1970s, nobody knew her face at all, though everybody could recognise her melodious voice as it was used by the great maestros like Naushad Ali and O. Shamshad was very much conscious of her not so beautiful face and she never posed for any pictures and not many people saw her pictures anywhere. She earned 15 rupees per song and was awarded 5,000 on the completion of the contract on Xenophone, a renowned music recording company.Д«egum made her debut on radio on Peshawar Radio in Lahore on December 16, 1937, captivating the hearts of her listeners with the enchanting depth of her voice.

Shamshad Begum (born April 14, 1919) is an Indian singer who was one of the first playback singers in the Hindi film industry.Д«egum was born in Amritsar, Punjab.

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